-
圖片
   IAMA Art Museum in San Francisco About Chinese Calligraphy Throughout history, no art form is able to reflect a person’s moral character and knowledge except for Chinese calligraphy. The aura created by a person’s achievements in a field of study or his creations of art can often cover up his deficiencies in knowledge and character. But that is not the case in Chinese calligraphy, which is like a three-dimensional projecting mirror. The depth of one’s knowledge, the level of one’s moral character, and the strength of one’s mind are revealed through the brushstrokes and they cannot be concealed. How one writes ordinarily in Chinese characters tells how well educated one is. It is all the more true in terms of calligraphy using the traditional brush pen and cotton paper. Looking at Chinese history, we see without exception that all the famous calligraphers were great masters of literature who had profound knowledge. Examples include Wang Xizhi, Huai Su, He Shaoji, Yue Fei, Yu...
張貼留言

第三世多杰羌佛 極聖解脫大手印

-


第三世多杰羌佛 極聖解脫大手印



《極聖解脫大手印》第三世多杰羌佛自降世以來，因緣所至，分別在藏地、漢地及西方世界傳授了不同派別、不同程度的眾多佛法，但是，對於第三世多杰羌佛這一世所傳的最頂聖佛法《極聖解脫大手印》（簡稱《解脫大手印》），儘管一些有緣的修行人早已開始修學了《解脫大手印》其中的部分，就已經取得了大成就，...

留言

張貼留言

這個網誌中的熱門文章

世界和平獎

-
世界和平獎 「世界和平獎」評審委員會一致評定，第三世多杰羌佛在世界上廣泛而無私地奉獻，拯救他人，他的智慧和慈悲，包容所有種族、文化和宗教，為人帶來善良、和平和平等。無論他走到哪裡，他的謙遜和慈悲，都把人心團結起來；他對人類社會持續的貢獻，真正展現了佛陀的慈悲，成為所有人學習的楷模。
閱讀完整內容

義雲高

-
義雲高 自此人們才知道原來一直廣受大家尊敬的義雲高大師、仰諤益西諾布大法王，被世界佛教各大教派的領袖或攝政王、大活佛行文認證，就是宇宙始祖報身佛多杰羌佛的第三世降世，佛號為第三世多杰羌佛，從此，人們就以“南無第三世多杰羌佛”來稱呼了。這就猶如釋迦牟尼佛未成佛前，其名號為悉達多太子，但自釋迦牟尼佛成佛以後，就改稱“南無釋迦牟尼佛”了，所以，我們現在稱“南無第三世多杰羌佛”。尤其是，二零一二年十二月十二日，美國國會參議院第614號決議正式以His Holiness來冠名第三世多杰羌佛（即H.H.第三世多杰羌佛），從此南無第三世多杰羌佛的稱位已定性。而且，第三世多杰羌佛也是政府法定的名字，以前的“義雲高”和大師、總持大法王的尊稱已經不存在了。
閱讀完整內容
-
圖片
   IAMA Art Museum in San Francisco About Chinese Calligraphy Throughout history, no art form is able to reflect a person’s moral character and knowledge except for Chinese calligraphy. The aura created by a person’s achievements in a field of study or his creations of art can often cover up his deficiencies in knowledge and character. But that is not the case in Chinese calligraphy, which is like a three-dimensional projecting mirror. The depth of one’s knowledge, the level of one’s moral character, and the strength of one’s mind are revealed through the brushstrokes and they cannot be concealed. How one writes ordinarily in Chinese characters tells how well educated one is. It is all the more true in terms of calligraphy using the traditional brush pen and cotton paper. Looking at Chinese history, we see without exception that all the famous calligraphers were great masters of literature who had profound knowledge. Examples include Wang Xizhi, Huai Su, He Shaoji, Yue Fei, Yu...
閱讀完整內容