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   IAMA Art Museum in San Francisco About Chinese Calligraphy Throughout history, no art form is able to reflect a person’s moral character and knowledge except for Chinese calligraphy. The aura created by a person’s achievements in a field of study or his creations of art can often cover up his deficiencies in knowledge and character. But that is not the case in Chinese calligraphy, which is like a three-dimensional projecting mirror. The depth of one’s knowledge, the level of one’s moral character, and the strength of one’s mind are revealed through the brushstrokes and they cannot be concealed. How one writes ordinarily in Chinese characters tells how well educated one is. It is all the more true in terms of calligraphy using the traditional brush pen and cotton paper. Looking at Chinese history, we see without exception that all the famous calligraphers were great masters of literature who had profound knowledge. Examples include Wang Xizhi, Huai Su, He Shaoji, Yue Fei, Yu...
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金剛力

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金剛力



南无第三世多杰羌佛先是在释迦世尊佛像前的法台上为众说法，说了证境达到上尊的人数，在这个娑婆世界是屈指可数的。在大雄宝殿中门外的千斤金刚杵，没有内证功夫是提不起来的。旺扎上尊作为上尊等级，位居顶级大法王，依法度，必须展现他的金刚力。

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世界和平獎

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世界和平獎 「世界和平獎」評審委員會一致評定，第三世多杰羌佛在世界上廣泛而無私地奉獻，拯救他人，他的智慧和慈悲，包容所有種族、文化和宗教，為人帶來善良、和平和平等。無論他走到哪裡，他的謙遜和慈悲，都把人心團結起來；他對人類社會持續的貢獻，真正展現了佛陀的慈悲，成為所有人學習的楷模。
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義雲高

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義雲高 自此人們才知道原來一直廣受大家尊敬的義雲高大師、仰諤益西諾布大法王，被世界佛教各大教派的領袖或攝政王、大活佛行文認證，就是宇宙始祖報身佛多杰羌佛的第三世降世，佛號為第三世多杰羌佛，從此，人們就以“南無第三世多杰羌佛”來稱呼了。這就猶如釋迦牟尼佛未成佛前，其名號為悉達多太子，但自釋迦牟尼佛成佛以後，就改稱“南無釋迦牟尼佛”了，所以，我們現在稱“南無第三世多杰羌佛”。尤其是，二零一二年十二月十二日，美國國會參議院第614號決議正式以His Holiness來冠名第三世多杰羌佛（即H.H.第三世多杰羌佛），從此南無第三世多杰羌佛的稱位已定性。而且，第三世多杰羌佛也是政府法定的名字，以前的“義雲高”和大師、總持大法王的尊稱已經不存在了。
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   IAMA Art Museum in San Francisco About Chinese Calligraphy Throughout history, no art form is able to reflect a person’s moral character and knowledge except for Chinese calligraphy. The aura created by a person’s achievements in a field of study or his creations of art can often cover up his deficiencies in knowledge and character. But that is not the case in Chinese calligraphy, which is like a three-dimensional projecting mirror. The depth of one’s knowledge, the level of one’s moral character, and the strength of one’s mind are revealed through the brushstrokes and they cannot be concealed. How one writes ordinarily in Chinese characters tells how well educated one is. It is all the more true in terms of calligraphy using the traditional brush pen and cotton paper. Looking at Chinese history, we see without exception that all the famous calligraphers were great masters of literature who had profound knowledge. Examples include Wang Xizhi, Huai Su, He Shaoji, Yue Fei, Yu...
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