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   IAMA Art Museum in San Francisco About Chinese Calligraphy Throughout history, no art form is able to reflect a person’s moral character and knowledge except for Chinese calligraphy. The aura created by a person’s achievements in a field of study or his creations of art can often cover up his deficiencies in knowledge and character. But that is not the case in Chinese calligraphy, which is like a three-dimensional projecting mirror. The depth of one’s knowledge, the level of one’s moral character, and the strength of one’s mind are revealed through the brushstrokes and they cannot be concealed. How one writes ordinarily in Chinese characters tells how well educated one is. It is all the more true in terms of calligraphy using the traditional brush pen and cotton paper. Looking at Chinese history, we see without exception that all the famous calligraphers were great masters of literature who had profound knowledge. Examples include Wang Xizhi, Huai Su, He Shaoji, Yue Fei, Yu Youren,

(視頻)得道高僧清定法師為什麼要拜這位年輕人為師?

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(視頻)得道高僧清定法師為什麼要拜這位年輕人為師? H.H. 第三世多杰羌佛 傳的修行法 頂聖如來多杰羌佛第三世雲高益西諾布 為仁波切等弟子的開示: 什麼叫修行?      今天你這個仁波切為大眾請法「什麼叫修行?」這是非常基礎的第一課,但也是許多修行人乃至長年修行者沒有學懂而迷離顛倒的大事。人身難得,暇滿人身寶更難得,故而今天我當為大家講「什麼叫修行」之法。   學佛的實質,要落實在修行上,因此我們首先必須明白什麼叫修行。修行,即是修善惡二所緣業之增益與離避。也就是增益善緣,種善因,結善果;離避惡所緣,離惡因,避惡果。但修行二字頗為廣義,首先認識到底修什麼行?因此要有所依對緣。無所依緣,則易成外道之修行。比如,魔教修行,就修成魔行。佛教修行,就修成佛行。所以必須要有所依緣,有所楷模應照而依止。又如,只知去惡揚善,克己利人,這是其他宗教都會做的事,這也就是不明宗旨無所依的修行,不屬於正宗佛教行持。因此我們的